Marshal Philippe Petain in World War I

Causes, Effects and Solution to Boko-Haram and Kidnapping...

You have for long warned about insecurity from the North. Why do you think the army can’t contain it? As far back as eight to nine years ago, we observed that the institution of the Nigerian army became a target of the intelligentsia behind what we called Boko Haram. They have known that the Nigerian army was the last institution in Nigeria that could practically bind the country. But now, the army seems divided. What I know is that the Nigerian army cannot handle this people because the sophistication with which the sect operates is beyond the training of the Nigerian army. You argue that the issue is not just Islam. What is it? I think the African is the best person to know that term. What the Africans discovered is that people will†¦show more content†¦The point now is that what amnesty are you giving to people whose modus operandi is to infiltrate your government? They will pretend to take amnesty; they’ll never stop in pursuit of their objectives. Do you think we need UN intervention force to tackle the crisis? We can contain this problem by working with other countries without selling Nigerians to foreigners. My emphasis is that there are some countries in the world whose position is that the best way to handle the global problem is to divert it from Afghanistan to Africa. These are thinkers; they may even come to Nigeria and pretend to be helping us. But what they would do is to tackle it in Afghanistan and all the places where all these people are in the entire world and divert the problem to the country of people who are not perceptive. For 25 years, there was no government in Somalia. Chaos everywhere. Does any country of the world care what is going on in Somalia? If they care so much the situation in Somalia would not last for twenty five years. If we are going to work with the United Nations to solve the problem, we will do so with our eyes wide open, knowing that its objective is not to come and turn Nigeria into a battleground. But we want to make sure that Nigeria is a leading country in Africa with attendant stability, peace, freedom to move around in any part of the country, freedom to pick anything you want andShow MoreRelatedA Report On Boko Haram4313 Words   |  18 PagesIntroduction Today, terrorism is among the foremost issues troubling the world. Most terrorist groups are the root cause of death and destruction of property worth millions. Mainly, most terrorist groups place their belief in religion, Islam to be more specific. Though the Islamic faith is quick to separate itself from such terrorist groups, it is clear that all trace their roots to their faith. Most terrorist groups were mainly situated in the Arab world, in the Middle East. However, they have evolvedRead MoreBoko Haram : A Islamic Organization1445 Words   |  6 Pages Boko Haram is a militant Islamic group based in northeastern Nigeria, but is also active in northern Cameroon, Chad, and Niger (â€Å"Boko Haram Fast Facts† 1). Their main purpose as an organization is to institute Sharia, which is known as Islamic law (â€Å"Boko Haram Fast Facts† 1). In the local Hausa dialect, one of the largest ethnic groups spoken in West Africa, Boko Haram means â€Å"Western education is fo rbidden† (â€Å"Boko Haram Fast Facts† 1). The group is also referred to as Jama’atu Ahlis Sunna Lidda’awatiRead MoreBoko Haram And The Nigerian Government Of Kidnapping Essay2437 Words   |  10 PagesShekau had been very vocal in accusing the Nigerian government of kidnapping and abducting the wives and children of Boko Haram’s members. This angered Shekau, as he saw the feud to be between Boko Haram and Nigeria to be strictly between themselves. 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Additionally we will critically analyse the economic and political implications these policies have had on the regions and suggest recommendations for future action. Nigerian terrorism and Militancy: The first section will discuss the effectiveness of terrorism prevention in Nigeria. Nigeria has been known to be affiliated with numerous terroristRead MoreEffects of the Poliovirus: Poliomyelitis1504 Words   |  6 Pagessystem causing paralysis though infection is over 90% asymptomatic. ïÆ'Ëœ The challenges eradicating polio range from socio-cultural factors to political and economical factors. There are mainly three endemic areas remaining namely: Nigeria, Pakistan and Afghanistan. ïÆ'Ëœ The solution to the challenges would vary from countries and communities with specific issues. But the direct involvement of the population is crucial making the battle more active than passive with less publicity. INTRODUCTION: Polio hadRead MoreYouth Restiveness in Nigeria2293 Words   |  9 Pagestraditional societies become impacted by values changes from more advanced countries. To that effect, various forms of social challenges plague most modern nations these days. Most of these challenges are as a result of economic depression which manifest as unemployment leading to deviant behaviours among the youths. These anti-social behaviours usually become what is termed youth restiveness. Youth restiveness in Nigeria has been a prominent issue in recent times. There has been an increase in the occurrence

Plato’s Forms Free Essays

Eric Morin 103317083 01-26-285 Professor L. Buj Jan 16, 2011 Plato’s Criticism On Deceptive Forms Plato’s critique of art operates on two levels, the ontological and the moral. Both levels are interpreted within disdain taste as Plato proposes that the banishment of art could actually bring fourth a closer connection between humanity and truth. We will write a custom essay sample on Plato’s Forms or any similar topic only for you Order Now His argument against the existence of art as well as its functioning purposes will be further discussed in this paper. Plato’s ontological view on the existence of art looks deep within the nature as well as its overall properties rather bitterly. Plato’s attack on art does not merely constitute visual art, but rather holds a more expansive scope reaching into literature and especially poetry. For Plato, art is accountable for multiple negative influences, which affect all audiences who try to interpret it. These influences are what Plato believes hinders humanity towards aspiring truth. Art for Plato receives negative attention at the moment of creation. Plato believes that the thoughts processed by the creator and/or artist are far from original and are alternatively imitations of the real world hich are themselves distant from the ideal Forms. These ideal Forms consist of the ultimate paradigms in our universe containing truth and 2 absolute wholeness, thus proposing a problem for Plato. These copies of copies are referred to as mimesis. During the grandeur search of truth, mimesis serves the audience deceit and alarmingly leads them farther from the ideal Forms. As mentioned in the text, â€Å"Because mimesis prese nts us with an inferior copy of a copy, poetry takes its listeners away from rather than toward the ideal Forms† (Leitch 43). The hypocrisy surrounding literature proves to be troublesome for Plato on a multitude of levels. In the search for completeness, art not only fails to provide insight toward truth but rather, is actually lying to you. This mimetic stance held within the nature of art is believed to be nothing more than fabrication. Plato maintains his argument by stating that as the audience is deceptively reeled into a degraded mind state, truth is less obtainable. Introduced in the text, â€Å"Because [Literature] stories are fictional, made up, literature is dangerous; it roduces only lies† (43). Plato not only bashes art on an ontological level, but also finds problems morally. During deception and degradation through imitation within text, Plato analyzes the problems art has within its nature and relates that to the morality of audience. He argues that if art is further removing oneself from the truth, than it cannot be in the best interest of man. Thus, banishment of art would be the on ly way to restore deception and appease humanity. 3 Plato begins by focusing on the dangerous elements of art and its affect on young minds. His argument states, â€Å"Now, do you appreciate that the most important stage of any enterprise is the beginning, especially when something young and sensitive is involved? † (46). In this part of the text, Plato is trying to explain that not only is the young mind fragile enough to easily fall into this created trap of deceit, but also that ruining the quest for truth at a young age brings upon negative consequences for all of humanity. Argued furthermore, â€Å"No young person is to hear stories which suggest that were he to commit the vilest of crimes †¦ he wouldn’t be doing anything out of the rdinary, but would simply be behaving like the first and greatest gods† (47). Here Plato is arguing that the falsehood within stories can fantasize young minds into ultimately developing enhanced personas, which escalates into degradation of truth in reality. Plato further extends his argument on art and morality into the minds of all humans. Since art is of a de ceitful nature according to Plato, it cannot undertone any good found within the text but is instead considered the primary fault within literature. Thus, the deception in which the audience resorts to is ultimately proposed as egative and unneeded. Different from a beneficial spoken lie, Plato states about literature, â€Å"All I’m saying is that no one is happy at being 4 lied to and deceived in his mind about the facts† (51). One of Plato’s biggest moral issues with art explores the depiction of human kind in literature. He believes that in order to truly display characteristics of a character we are not only mending the emotions and feelings to suit the text itself but for our own personal capacity. This sort of mutilation of character not only revives the notion of eception within literature but again bringing treason to our own reality. By distorting the character, we would be digging through created deceit as well as misinterpreting the true meaning of wh at was intended. Plato not only rejects our created distortion, but also feels as though the author creates this misinterpretation in a deceptive way. As Plato addresses, â€Å"What we’d claim, I imagine, is that poets and prose-writers misrepresent people in extremely important ways† (58). A real life example of artwork that could be examined and placed under Plato’s critical thinking rests in Versailles. There, artist Jeff Koons has created a replica of an inflatable lobster that hangs down from the ceiling for all to see. The lobster seems to be created as though it is soft to touch and friendly to the eyes. Already our senses have been deceived. As Plato would primarily analyze the creationist, we find that Jeff 5 Koons has not only produced a copy of a copy, but adds double the mimetic stages. Plato would argue that Jeff’s original thought has come from an ideal Form, followed by his initial drawing, then an addition of computer enhancement, and lastly interpreted and actually reated by fellow minds in his workshop. This notion sets the idea that Jeff is rather far from being the creationist, which is deceptive to audience in itself. Plato’s ontological stance would prove testy and unacceptable, as mimetic deceit is thoroughly prevalent within the whole of this piece. Plato would then examine the piece of art and relate it to morality. As this specific piece hangs do wn appearing soft and inflatable, it as well is deceitful in itself. Made out of metal, the lobster looms above the heads of audiences worldwide. Confusing to our senses, he would isapprove the artworks influence and be especially concerned for child observers. Plato would believe that not only is the nature of this piece deceptive, but our outtake of what we have witnessed would follow suit. In all of this deception, Plato would argue that artwork does indeed lead humanity farther from the truth and most importantly from primary ideal Forms, thus resulting in banishment being the primal response. 6 Works Cited Leitch, Vincent B. , ed. The Norton Anthology of Theory Criticism. New York, NY: Norton, 2010. Print. How to cite Plato’s Forms, Papers

Losing My Passport Essay Example For Students

Losing My Passport Essay Turning the corner, hoping the hostel was where it was supposed to be from the map, my dad and I spotted my mom across the street. With a smile I waved and scampered across the street to her. With a sigh of relief, I went up and hugged her with the feeling of safety that we were in the right place. We walked together into the hostel, and as the door opened, a warm rush of air from the hostel hit my body, almost dropping me to the floor in relief. Walking in, I scanned the lobby and spotted some couches by a fireplace. After a long chilly walk across Paris, that would be my final destination. My mom and dad followed along, and we sat around the fireplace. That was when my mom asked me that long expected question, What happened?   We had been two weeks into our three-week trek across Europe in a group of eleven. The group included my family with my uncle, Roy and Jane Sharp with their grand kids, and two other friends. At the time we were in Cinque Terre, Italy. The next morning we planned to leave by train to Paris. Waking up was pretty hard since we basically had walked the previous day. Every inch my body moved felt like needles piercing my insides. Yet, I got myself up and got ready to go out to the train station. Our whole group was out there on time for the train, and we all had sleepy expressions on our face due to the early start. A few minutes later, I could hear the train coming down the tunnel, and when it got close, a gush of air came swarming out of the tunnel. It almost felt like I was in a hurricane. When the train halted to a stop, we all hopped on and got seated; and off we went. About five minutes in, I checked if I had everything on me, such as my passport. I checked for where my passport would usually be, but it wasnt there. Looking through the rest of my luggage, all I found was the tube of toothpaste I had lost earlier that week. Suddenly I realized I had put my passport under my pillow the night before, though Im not sure why I did. Knowing where it was made me a bit calmer. I told my group about what had happened, and they decided that my dad should go back with me to get my passport. The problem was that we had a reserved train to catch from Milan to Paris, so we knew that we would end up being separated from our group until we got to Paris. At that point, my dad and I took the next train back to Cinque Terre, and the rest of our group went on to Milan. On the way back, all that was going through my head was how stupid I was to leave my passport and how I might be ruining the trip for the whole group. When we got back, I basically ran back to the hostel, hoping it would be where I left it. To my luck it was, and you can imagine the relief that we both had. Yet, the amazing   adventure was not over. Now we had to figure out how to get back to our group in Paris, one way or another. When we got back to the station my dad, as any dad would do, took up the reins in figuring out how to get to Milan. Franticly he went to everybody, finding the ones that spoke English, and asking the best way to get to Paris. He found out that the train workers Paris are on strike. This got me on the edge knowing if we will ever make it to Paris before the day is over. We adapted and decided to head to Milan to get on a different train to Paris, or even better find our group. We luckily found a train going directly to Malian and hopped and prayed for the best of us ahead. .u14c29c4b4f01aec1a91b690ce51ac9ba , .u14c29c4b4f01aec1a91b690ce51ac9ba .postImageUrl , .u14c29c4b4f01aec1a91b690ce51ac9ba .centered-text-area { min-height: 80px; position: relative; } .u14c29c4b4f01aec1a91b690ce51ac9ba , .u14c29c4b4f01aec1a91b690ce51ac9ba:hover , .u14c29c4b4f01aec1a91b690ce51ac9ba:visited , .u14c29c4b4f01aec1a91b690ce51ac9ba:active { border:0!important; } .u14c29c4b4f01aec1a91b690ce51ac9ba .clearfix:after { content: ""; display: table; clear: both; } .u14c29c4b4f01aec1a91b690ce51ac9ba { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u14c29c4b4f01aec1a91b690ce51ac9ba:active , .u14c29c4b4f01aec1a91b690ce51ac9ba:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u14c29c4b4f01aec1a91b690ce51ac9ba .centered-text-area { width: 100%; position: relative ; } .u14c29c4b4f01aec1a91b690ce51ac9ba .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u14c29c4b4f01aec1a91b690ce51ac9ba .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u14c29c4b4f01aec1a91b690ce51ac9ba .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u14c29c4b4f01aec1a91b690ce51ac9ba:hover .ctaButton { background-color: #34495E!important; } .u14c29c4b4f01aec1a91b690ce51ac9ba .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u14c29c4b4f01aec1a91b690ce51ac9ba .u14c29c4b4f01aec1a91b690ce51ac9ba-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u14c29c4b4f01aec1a91b690ce51ac9ba:after { content: ""; display: block; clear: both; } READ: Kindred Analysis EssayWhen the train pulled into Milan, we jolted awake, and scattered out onto the platform. We headed toward the massive TV screen listing the train schedules, none of them mentioned Paris. Like before, I watched my dad go from one person to another, asking, English?  . At one moment it seemed as if I was watching pinball and as my dad, the ball, bounced around from people to people. Finally he found out that we were at the wrong station and had to take the subway to the correct one. Once we got to the right station, my dad went back to his pinball thing, asking around for answers. To our luck, we found a train going directly to Paris, and at that point we felt satisfied that we going to make it. Once we turned the corner to the platform, we found out that we were totally wrong. The platform was packed with people waiting to get on our train to Paris. With confused faces, we up to a lady and asked about what was going on. She said that because of the strikes in Paris they had to combine three different trains going to Paris into one. To make it worse, she added that only people with reserved tickets are allowed to ride. At that point, we thought we were going to have to sleep at the station over night or hitch a bus ride over to Paris. Again, to our luck she told us that we dont need reserved tickets to be in the bar car. Since we had Eurail Pass, which allows you to ride any train for the amount of time you paid for, we thought we could get away with it. When it was time to get on, she led us in and explained the situation in French to one of the train workers. Thanks to her, we were able to stay on the train for the moment. When the train creaked to a start, we both couldnt believe how far we had made it and all the help we had along the way. We especially had God to thank because we knew that He works through everyone for good, and it was pretty obvious too in our situation. Mom, amazed by our story, told us that we were probably tired and gets some rest to tell the others. We both agreed and stumbled ourselves up the stairs to our rooms. When my dad opened the door I saw the most beautiful thing in the world at the time: the bed. Instantly I threw my pack to the corner of the room and hit the hay. Just before I fell asleep I immediately thought of the famous quote from Forrest Gump: Life is like a box of chocolates  ¦you dont know what youre going to get!